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fig. 1) Four wide-angle shots. |

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fig. 2) The same shots, bunched up so that
they overlap. It is easy to see that they
do not join up, especially where there are
continuous lines. |

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fig. 3) After passing the images through the
stitching software, the images are remapped
to a cylindrical perspective that can cope
with such a wide angle view (nearly 180 degrees).
The images have also been aligned so that
all the features join up. |

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fig 4.) The final images blended together.
All that is left to do is to crop to a rectangular
image and do any overall colour and tonal
corrections. |

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fig 5.) Most of the images are rather more
complex than the four-shot example, as can
be seen above in the source images for the
panorama of St.
James Park, Newcastle, made up from ninety
five images. |
| |
| Equipment
Used - back to
top |
| |
| Software
Used - back to
top |
| |
| Further
Reading - back
to top |